LINE UP:
DELMORE FX (LIVE)
ANDREA & ALEXANDER (LIVE)
OSCAR DER WINZIGE
MATAS AEROBICA
ONDULA

DELMORE FX (LIVE)

It was pretty difficult to find anything about this artist, but Discogs reports that 'Delmore Fx is the solo Project of Elia Buletti, the man behind the Berlin based label Das Andere Selbst. 'Altogether, let`s call it just bedroom tribalism.'' Whatever that means.... So putting on the tape is like listening to a toy factory gone amok. Sound synthesis chips have taken on a life of their own, music boxes speed up and slow down on their own accord, and there is a sense that everything is reflected through a funhouse mirror and the carousel keeps going round and round and round and you eventually start to get a bit dizzy. But by then it is far too late to get off the ride because everything has begun to move too fast to safely get off. The tapes that accompany the ride have begun to get eaten by the dirty tape heads in the machine and everything is off kilter. It is glitchy and full of loops and crazy in a whimsical way. Who says that experimental music has to be serious?

http://delmorefx.bandcamp.com/

ANDREA & ALEXANDER (LIVE)

Because of Andrea's and Alexander's polyhedral personalities, their music slips out of fixed descriptions. They met at a concert in Berlin, started to share music, fed their constant yearning for the next undiscovered sound, lived psychedelic dancy moments of loss of the self and eventually they put all of their experiences in their deep-heart oriented as much as "melted by love" songs. A minimal orchestrated set up, made of synthesizers, drummachines and Andrea's voice, brings it to the core. Like a touching feeling of floating and being there at the same time. Although you might have seen them live in other occasions (Vera Mona, Aufgang B, Eva Geist, Agency Amore), you better expect the unexpected.




OSCAR DER WINZIGE

Oscar Olias is the founder of Sucked Orange, a gallery in Berlin, based on rituals and lucid dreams. Son of a collector of avant-gardedementia artifacts, forgotten universes and hidden histories, "Der Winzige" continues his father's work in the most private way possible; through re-realising this music with a select audience, keen to discovery new musical territory, hungry to push new boundaries and explore their own limits of fantasy. The experience is not solely musical. This is just one key in gaining a deeper understanding of a world, enriched by friendship, the collective experience and self-discovery.
Within cement caves in the early hours of the Berlin morning, the audience is invited to immerse themselves, to dive, as if under the influence of a slow-acting psychotropic poison, into abstraction, guided by sound into unknown atmospheres. It’s also something special for you, the listener. It is a collection of opportunities to practice “dangerous” emotions in a “dangerous” situation, without having to confront to reality. A document, a testimony of the subcultural music of all nations. In other words, it offers you the chance to learn from the experience of others, and in this way, it fulfills one of the most important function of “music”.


http://octatanz.org/


MATAS AEROBICA

Aerobica is thrown by the square lifebuoy used to propel a reliable music into digital age. He delves into music, which at first glance may seem not sensuous, and uses it as a tool for communication. Aerobica prefers rhythmic experiments and a passion which is found in an inexhaustible music underground.


http://octatanz.org/

ONDULA

Ondula proposes an Immersion in obscure electronics, forgotten tapes, analogue synth and sound collages. Submerged into the rivers of experimental electronics, she will always start a dialogue with those, who listen, who seek and with those who swim along.